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H. T. Webster WEBSTER, H. T. - Biography
H. T. Webster
H. T. Webster was probably the best-known cartoonist in mid-20th century America. His picture made the cover of Time magazine in on 26 November 26, 1945 Webster published over 15,000 panels over the course of 40-plus years as a newspaper cartoonist. A memorial collection of his cartoons, The Best of H. T. Webster, published in 1953, a year after his death, featured an introduction by the Pulitzer Prize-winning author, Robert E. Sherwood, and made the best seller lists. In his introduction, Sherwood wrote: On April 4, 1953, the last new drawing by H. T. Webster was published in the New York Herald Tribune and a hundred and twenty-five other papers, and for many of us timid souls, this day marked as one of life’s darkest moments. There will be other fine artist-cartoonist-critics to inspire use with joy or indignation from day to day, but never another to span the years and the range of human emotions in the same extraordinary way that Webby did.
BIOGRAPHY: Because of the humor and human interest in his cartoons, he was sometimes compared to Mark Twain, and his art style was quite similar to the work of Clare Briggs. During his lifetime, Webster drew more than 16,000 single-panel cartoons. Born in Parkersburg, West Virginia in 1885, Webster grew up in the small town (pop. 3,365) of Tomahawk, Wisconsin where his father was a druggist. He began drawing at age seven. When he was 12, he switched from cigarettes to cigars, and that same year he sold his first cartoon for $5 to the magazine Recreation. He studied drawing from a correspondence course when he was 15, and two years later, he left high school and Tomahawk to study in Chicago at the Frank Holmes School of Illustration, where cartoonist Harry Hershfield had also studied. However, the Holmes School closed only a few weeks after Webster's arrival, bringing an end to his formal art training. With little success as a freelance artist, Webster began a salaried job with the Denver Republican, moving to the rival Denver Post when he was offered $15 a week as a sports cartoonist. Webster commented, "If they had known it, they could have got me for $1.50". He returned to Chicago, where he spent three years drawing front-page political cartoons for the Chicago Inter-Ocean, prompting one politician to introduce a bill in the state legislature forbidding unflattering cartoons. After two years with The Cincinnati Post, he had enough saved to spend a year traveling around the world. Returning from China, he joined the New York Tribune in 1912. He married Ethel Worts on August 2, 1916, two weeks after he met her. The titles of Webster's cartoons reflected the different situations, as in "Our Boyhood Ambitions" and "Bridge". In 1924, he moved to theNew York World and soon after added "The Timid Soul" featuring Caspar Milquetoast, a wimpy character whose name is derived from milk toast. Webster described Caspar Milquetoast as "the man who speaks softly and gets hit with a big stick". The modern dictionary definition of milquetoast (meaning a very shy or retiring person) comes from Webster's cartoons. In 1927 Webster trained himself to draw left-handed in three months after a severe case of arthritis impaired the use of his right hand. In 1931, the World folded, and that same year, Simon & Schuster published a collection ofThe Timid Soul reprints. Webster then went back to the New York Herald Tribune, where he then launched aTimid Soul Sunday strip. He alternated his various features throughout the week: Caspar Milquetoast was seen on both Sunday and Monday. Youth's glories (The Thrill That Comes Once in a Lifetime) and the downside (Life's Darkest Moment) appeared on Saturdays and Tuesdays. On Wednesday, The Unseen Audience offered satirical jabs at radio. How to Torture Your Husband (or Wife) was published each Thursday, and the week ended with Bridge on Fridays. During the 1940s, Webster lived at Shippan Point in Stamford, Connecticut. His assistant, Herb Roth, took over when Webster died in 1952. When Roth died the following year, the series came to an end with the last new drawing appearing in the New York Herald Tribune on April 4, 1953.
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